Overcooked Vegan 8: Production Notes

I had to sneak a show in before the year expired. Overcooked Vegan 8: Okra StEwww. It was shot one-cam on the fly except for one halogen 650. For whatever reason it took me a while to get a rhythm on the edit. In part, I believe the child expected to do a solo episode so she came out a bit salty and took a bit to thaw (sounds vaguely cannibalistic). Cutting around the low energy got the edit down to 4 minutes. It’s been in the can since late September. I held onto it under the premise of adding the new intro and editorial elements but time dictated that I push them back until the next iteration. Ultimately, I preferred having this segment out now and working on getting the new flow grouped under volume two in 2017.

The audio was heinous (the unfortunate norm) because I couldn’t afford to test the mic gear in a timely manner. So for audio post, I enlisted Songhay System to use its copy of Sound Forge but I wound up getting a better version out of Izotope RX3.

In terms of talent, as I’ll employ some of the original ideas that I have yet to try, I’ve expanded my search to attempting to bring more people in who should have a greater network than myself. I’ve also cut loose the online sites for talent as they haven’t yielded any decent results for me over the last couple of years. I’ll probably use Backstage a couple more times then I’ll determine the ratio of public service to business of this endeavor.

In typing the URL for this morning while updating the web site I came to find out that there is now a video game called “Overcooked” that launched August 2016. I’ll delve into that deeper down the line as I’m curious as to what that might mean to this production. Now, I need to figure out how to embed video via URL in this new WordPress interface.

Testing… where’s the damn preview option?

Found the preview. Ok, keep the URL on its own line. No more going through the media URL.

Overcooked Vegan e7: Production Notes – 2015’s Aftertaste

2015 was intended to be a 6 week old memory by now but its dirty sock stench is still wafting about. Episode 7 is a symbol of will to power and serendipity AKA “I’ll take it”. 4:00 am, January 1st my production computer decided that it no longer needed its logic board. I had shelfed all other projects to finish chopping a feature that would have been done by end of day.

My Overcooked Vegan footage and assets reside on a 6 TB RAID thunderbolt port only. None of my re-purposed machines have thunderbolt nor can they push the software. My friend David at Sixor12 offered me time on his trashcan Mac and I did a quick tune and render of what was to be “episode 7”.

This segment was also a bit of happenstance. My son had changed his mind (again) about doing his comedic cooking segment. It turned out that his brother had learned to cooked something and he wanted to try it out. Upon arriving to his brother’s father’s pad, I realized I hadn’t charged the camera, didn’t bring any other gear, so by the end of the cooking I had to use my phone to finish – Hence no money shot of final dish. Plus those boys lit into that food milliseconds after the stove top cut off.

I had held out 3 months or so from uploading another episode for reasons that I’ve mentioned before now. Briefly, fatigue, improvement of audio/video, experimentation… Given the necessity of social media and the general use of targeted forms (tutorial, single personality, etc) of Youtube, I’ve had a bias against the medium and wanted to find a broadcast medium to utilize. At worst, it would be a prototype that also pushed some useful options out there for viewers.

So as I crawl towards a new computer rig I have to stay creative. Pencils and paper have made their presence even greater. My searches have led to some inlets for (American) public broadcasting and I’m in the cursory stages of figuring out commercial broadcasting and streaming mediums. I’m looking to upload 3 to 5 new segments so that I can cut down to 6 24 minute episodes. Next chance I get, I’ll pull from all footage and put together a pilot to show it closer to my vision.

In the interim, those looking to do their own shows might check out jokeandbiago.com. They do podcasts and are a production company that picks up projects they like to see if they can get them on air. Their forté are reality shows but they write that they are open to good ideas. Another thing I’ve learned is to search through people’s crowd funding campaigns. That provides a range of understanding of inducements and expectations.

Tired of typing all this on the phone so I’m pulling the plug on this one. I’ll have to figure out how to get phone WP drafts over to desktop WP but that’s a battle for a different soldier today.

Pre-production notes: Overcooked Vegan Episode 7

It's just some damn food.

It’s just some damn food.

I hit a wall just before episode 6. Overcooked Vegan is research and development for me and I was having difficulty with my progression in technique. I guess I’ve been documenting that in the production notes. After ep 5’s unnecessary hurdles and mounting scrambling before ep 6, I declared a two week OR SO hiatus. Basically, for September I’m only doing intermittent pre-pro and maybe some animations but I don’t look to go back into production until early October.

To explain the wall, I’ll have to say it’s not just time and energy. There is logical return. You do art because you’re compelled to do so. Personality might dictate how much of that art is satiated with intrinsic versus extrinsic reward. You might also throw in a quasi-social awareness angle which ideally is intrinsic when authentic. Business is all extrinsic and always in need of a return. The blood of business is money. As I said Overcooked Vegan is R&D. The immediate return is constant information from testing. The long term goal is broadcast or cable, if not overcooked then something else. But I started getting a lot of knuckle-headed return.

For episode 6 I had two people who had originally committed to participate want me to sing and dance them back into their commitment. Fuck that. Go walk your puppies, ________ (You know what fits). So I went back into my 20 some odd remaining submissions to my casting and from the two emails got my first zero response and a response that I will describe as “that’s the internet for you”! Despite having a fairly detailed casting notice AND episodes that can be surveyed for examples ANNND the show title, I was asked two inane questions: “What kind of personality are you looking for?” ANNNNNND “Would I have to cook vegan food?” Come on now. What the %64#2D is wrong with you?!?

So the wall represents the cracks in my patience and I have to repair the wall. There’re more issues but I don’t write this to vent to the public. (I’ve been led to believe that production notes help some people who are interested in getting insights into various levels of production and I don’t mind passing on information if it’s of value.) I guess I mean to say, I’m not that dude taking pictures of every thing I do and posting it online. I already have two feature-length documentaries that I have to find a working time machine to finish before certain deadlines and tomorrow an additional one is coming my way. I can’t even write about my irritation on those projects alone.

Beyond the complaining, I do have more headspace to slowly make changes to the format so that cutting it to the half hour will make sense in flow and instill more humor into it. Of course pre-pro has to be met with proper pro. I also have to work on publicity. Very few people know the show exists. It’s taking a preposterous amount of time to get the word out via the method I had been waiting for so it’s time to return to the responsibility of self. Except I hate doing publicity. In the words of Gil Scott-Heron taken totally out of context, “Home is where the hatred is”.

Production Notes: Overcooked Vegan – Episode 6

Overcooked Vegan Episode 6 is up. My frustration caught up with me for little while so I chose to only have one cooking segment this time around. That’s standard for web shows but I’ve mentioned my interest in targeting broadcast and cable in the past. Ironically enough, this episode wound up being one of the longer episodes because I got a bee in my bonnet to do a long held back product overview. I call it overview because there is little reason for me to believe my tastebuds are precision-tuned to match anyone outside of myself.

The neighbors always said that I looked like the Soy Milk Man.

The neighbors always said that I looked like the Soy Milk Man instead of my daddy.

Backing up for a second, I was prepared to upload the show Monday night but I figured I would take Tuesday to build some new animations. Instead, I decided to get rid of the clutter of empty Almond Milk boxes that I had collected for a photo project. Trash day and I was sick of looking at the things on the shelf so I got to shooting them quickly so I could feed the recycle bin. I wrote a script and realized by the time I was finished that I sounded like Joan Rivers using the baritone patch on a vocoder. My voice was super tired. So, I figured I’d catch a couple of hours of sleep then finish everything about 2 am. Nope. I started at 5 am. Screwed! It took about 3.5 hours to piece it together (voice record, edit). On the finished output I hear that I sound like Joan Rivers using the cracking tenor patch on a vocoder. So be it. That’s what I get for being anti-social for the week.

Eggplant and I are not friends but this was pretty good.

Eggplant and I are not friends but this was pretty good.

Problems: On set I let the talent leave the radio on at the beginning thinking that I was going to shoot and cut a different way. No. Don’t do that. You honestly do not know what you’re going to do in the edit so keep everything as useable as possible. The external audio device is begging to be replaced. I’m going to have to address that asap. Lastly, I have to find a definitive episode number to call it a season so I can appropriately tweak ideas and prepare for season 2.

In all, it’s still a learning experience and good production exercise while passing on decent health-related information. In doing the almond milk overview it reminded me about the carrageenan issues. It had totally slipped my mind. How I go forward with that information is thus far unknown but I’m glad I did it. Down the line, I’ll revisit the segment and re-edit to give it more pop. I’ve been out of Almond Milk since Saturday so it was funny having so many cartons but nothing to drink.

Production Notes for Overcooked Vegan Episode 3

You might notice something a little fake about one of the presenters in episode 3 of Overcooked Vegan.

episode type is too damn small

episode type is too damn small

I had joked with a friend that I would start animating a doll if I had anymore no shows. That became a planned segment I was preparing for episode 5 or 6. I wanted it to be smooth animation and build a nice set. As I alluded to in the last production note, I had a person cancel 34 minutes before the shoot and she has never been heard from again. I’m fine with that. However, the cauliflower was blameless and aging. I then I had several more cancellations and someone no show/no call that I would not have expected to do so. So, I frankenstein-ed a segment for Episode 3.

Initially, it was to be Spicy Curry Potatoes, Cauliflower and some asparagus thing. I’m not big on asparagus. It went bad (rotted) so only the 1st two dishes were possible to salvage. I called some people whose numbers I hadn’t tried in many years. Voicemail. Bah. That turned my Sunday into a cooking day. Neither dish takes over 20-25 minute to cook. Prep time isn’t too bad… UNLESS YOU’RE #@$%*! ANIMATING A FAKE BARBIE DOLL ON THE FLY! This lovely knock off from Jieyang has almost no weight to her. Under a proper set up, I would have added weight in areas and shot metal into her feet or used modeling clay.

I had to bumrush the animation. The doll was held in one hand. I made certain to leave one finger designated as the shutter button. Of course that certainty immediately dissolved and I was washing my hands every couple of minutes. I purposely left the camera on autofocus because I needed less to do. What would have taken an hour had the talent arrived those weeks ago turned that Sunday into a 3+ hour production. I ordinarily attempt to have the dishes cooking simultaneously no matter who is cooking. You can’t do that with a doll in your hand. And the funniest thing to me is that the manufacturer molded protruding nipples. Strange.

I don't set up light during the regular shoot. Think I did with tumeric and paprika stuck to my hands?

I don’t set up light during the regular shoots. Think I did with tumeric and paprika stuck to my 9b$@3-ing hands?

The other task was writing for the voiceover. Circumstances were not ideal but I do appreciate Batani-Khalfani coming through and laying down the overdub. I was juggling several projects so I omitted some things that I thought were funny and that might explain the root of the jokes better. Things that I obvious to me, as I strained to overdo my normal dry humor, might not translate as well without the proper set ups. I have no invite to write for any network comedies so I guess I can keep playing with dolls.

The name of the character had to be that way. 17-20 years ago I had a meeting at Mattel®. I had stripped all offensive items from my portfolio… except the one of with the pile of bleeding Barbies™ being stepped on. Total oversight. Totally haven’t gotten any work from them EVER. It was humorous. Head nodding in approval for everything then BAM! I’m not the world’s best designer, anyway. So, Barbéi’s tatoo says “Made in Jieyang, China”. Just because she’s plastic, does it make her a liar? From there, I was going to have her “exoticize” herself by claiming she was part this, part that in percentages that don’t add up. That slipped my mind. What you get is that her family history is a bit too close to too many things. I was trying to go the McDowells’ Coming to America riff. Shaw Bros became Shawz. Run Run became Walk Walk. Bruce Li, Bruce Le, Bruce Lie, became Bryce Léi. I mixed two different readings so that it seemed like she didn’t know what accent she was doing moment to moment.

Overall it wasn’t too difficult since I was going in for the hack job style. The 3 hours of standing was a bit arduous. I had a wall of things to do so that compressed post-production and brought me to releasing the episode on a day that no one will probably see it. I had to cut some animation out because I didn’t have any extra dub. But it’s all cool. I think it’s ok. I haven’t watched it yet as an entire show, just pieces. Work to do now. Gone.

Production Notes for Episode 2: A Cauliflower’s Lament

How much time does it take to make a carrot?

How much time does it take to make a carrot? Click the mofo and find out, mofo!

With Episode 2 launched into the internet ethers as of an hour ago I’ve pondered which things I’ve learned over the years still apply. Technically there are several areas that I can pay more attention towards as the repetition builds. Presently the productions are about the same time as the food preparation and the actual cooking. That makes my approach more eng-style but I have to find the balance with the beauty shots. The sound is less of importance to me at the moment because I KNOW right now I’m getting the best I can with what I have. I will be tweaking the approach but there does come a time when you know practical limitations.

As a producer, I’m running into far too many cancellations. Yesterday’s cancellation was the only legitimate one in the last four weeks. The penultimate one was 25 minutes or so before shoot time. When there is no leverage (agency pressure, remuneration, etc.) you really become reliant on the trustworthiness of anonymous people. That is probably not a successful model for goal attainment; Just ask the $4.30 head of cauliflower that didn’t get to make its onscreen debut because of said cancellation. Sifting through other methods of talent acquisition becomes a secondary priority.

Oddly, the first priority is the same one with any business: Marketing, promotion. I soft launched episode one with the biggest pillow possible. I might have sent 2 or 3 tweets and a couple of posts from here or there. Maybe a couple of emails went out to a couple of people. My dilemma was proper launch or get it out then play catch up. They arguably will cost the same amount of time but the immediate effects are different. Getting an episode into the world meant that people who didn’t understand the premise, now understand it better and have made verbal commitment to participate. It doesn’t necessarily stimulate a timeliness to their participation. That is like watching a cold molasses run versus paint drying in a thunder storm race. Launching also means I have to show hit reach and whatnot to whom it might concern sooner but that’s closer to speculating with Santa might bring me for Flag Day. I’m more of a peddler than a pitch man anyway but that helped facilitate the decision.

So, things are coming, it’s just uphill both ways. I have to get my jet packs fixed.

Slow… Production Notes 02

1st. Don’t underestimate how slow your web connection might be. I’m 310 minutes away (according to YouTube) from having this thing fully uploaded. With that I’m minimizing my web use aside from a couple of posts to minimize the upload failing.

2nd. Compressing files into MP4 for upload is #$%$ing slow as slow can be. ProRes took minutes for final plates. The MP4 (h264) took 2 hours or so to spit out the 1080 at a svelte 1.6 GB file size. What a bargain! I considered a 720 upload because that’s what the videos used to be resampled down to by YouTube (if I recall correctly) but I’m not certain if they do that anymore. Hubris, I call thee!!!!!

3rd. Don’t make one little change because it’s early in the morning. At 5:30 am I got the brilliant idea to add another section to the show. It was strictly a test. But each test needs an intro and each intro need a build before it is animated. “Bobby Jimmy, you a fool!” (For you old KDAY heads). One test begat another test. A whole lot of begatting got gatted until 11:30. But oh no, you have an appointment at noon. Fool. Anyway, 296 minutes until upload is complete.

Tests can become infinite tests. It can also be a sign of self-sabotage. I wasn’t sabotaging myself but this day’s timeline is blown.

4th. I would read a book but I’m damn near cross-eyed from mad dogging this computer for the bulk of today.

5th. Keep on trucking. The good parts don’t exist without the hard parts.

6th. I established a Youtube channel for Overcooked Vegan instead of lumping it in with Megafunk videos. I don’t know if that’s the best thing for SEO but I can’t know everything. Work in progress, baby bubba. 277 minutes.

Ok, radio silence until this thing is up.

Dig yourself out of the hole - Not deeper

Dig yourself out of the hole – Not deeper