You might notice something a little fake about one of the presenters in episode 3 of Overcooked Vegan.
episode type is too damn small
I had joked with a friend that I would start animating a doll if I had anymore no shows. That became a planned segment I was preparing for episode 5 or 6. I wanted it to be smooth animation and build a nice set. As I alluded to in the last production note, I had a person cancel 34 minutes before the shoot and she has never been heard from again. I’m fine with that. However, the cauliflower was blameless and aging. I then I had several more cancellations and someone no show/no call that I would not have expected to do so. So, I frankenstein-ed a segment for Episode 3.
Initially, it was to be Spicy Curry Potatoes, Cauliflower and some asparagus thing. I’m not big on asparagus. It went bad (rotted) so only the 1st two dishes were possible to salvage. I called some people whose numbers I hadn’t tried in many years. Voicemail. Bah. That turned my Sunday into a cooking day. Neither dish takes over 20-25 minute to cook. Prep time isn’t too bad… UNLESS YOU’RE #@$%*! ANIMATING A FAKE BARBIE DOLL ON THE FLY! This lovely knock off from Jieyang has almost no weight to her. Under a proper set up, I would have added weight in areas and shot metal into her feet or used modeling clay.
I had to bumrush the animation. The doll was held in one hand. I made certain to leave one finger designated as the shutter button. Of course that certainty immediately dissolved and I was washing my hands every couple of minutes. I purposely left the camera on autofocus because I needed less to do. What would have taken an hour had the talent arrived those weeks ago turned that Sunday into a 3+ hour production. I ordinarily attempt to have the dishes cooking simultaneously no matter who is cooking. You can’t do that with a doll in your hand. And the funniest thing to me is that the manufacturer molded protruding nipples. Strange.
I don’t set up light during the regular shoots. Think I did with tumeric and paprika stuck to my 9b$@3-ing hands?
The other task was writing for the voiceover. Circumstances were not ideal but I do appreciate Batani-Khalfani coming through and laying down the overdub. I was juggling several projects so I omitted some things that I thought were funny and that might explain the root of the jokes better. Things that I obvious to me, as I strained to overdo my normal dry humor, might not translate as well without the proper set ups. I have no invite to write for any network comedies so I guess I can keep playing with dolls.
The name of the character had to be that way. 17-20 years ago I had a meeting at Mattel®. I had stripped all offensive items from my portfolio… except the one of with the pile of bleeding Barbies™ being stepped on. Total oversight. Totally haven’t gotten any work from them EVER. It was humorous. Head nodding in approval for everything then BAM! I’m not the world’s best designer, anyway. So, Barbéi’s tatoo says “Made in Jieyang, China”. Just because she’s plastic, does it make her a liar? From there, I was going to have her “exoticize” herself by claiming she was part this, part that in percentages that don’t add up. That slipped my mind. What you get is that her family history is a bit too close to too many things. I was trying to go the McDowells’ Coming to America riff. Shaw Bros became Shawz. Run Run became Walk Walk. Bruce Li, Bruce Le, Bruce Lie, became Bryce Léi. I mixed two different readings so that it seemed like she didn’t know what accent she was doing moment to moment.
Overall it wasn’t too difficult since I was going in for the hack job style. The 3 hours of standing was a bit arduous. I had a wall of things to do so that compressed post-production and brought me to releasing the episode on a day that no one will probably see it. I had to cut some animation out because I didn’t have any extra dub. But it’s all cool. I think it’s ok. I haven’t watched it yet as an entire show, just pieces. Work to do now. Gone.